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Review
"bio design is not about merely taking cues from organic structures and operations. It's about harnessing the machinery of the natural world to perform as nature does: storing and converting energy, producing oxygen, neutralizing poisons and disposing wastes in life-sustaining ways...In the wonderland of biotechnology, bacteria is beautiful, moss is electric and decorative tiles are animated." -The New York Times
"More and more, living organisms are finding their way into all kinds of materials and processes--from buildings to clothing manufacturing to art." -The Wall Street Journal
"high-minded eye candy and environmental battle cry...Myers is a deft, often-thoughtful guide. He has an unobtrusive writing style that eschews the 'gee whiz!' response that bleeding-edge design typically inspires." -The Architect's Newspaper
"The large and beautiful book by the young William Myers from New York addresses the re-naturalisation of the habitat and the close integration of nature, architecture and design." -Domus
"All these works are prominent examples of a nascent aesthetic movement called biodesign, which integrates living things, including bacteria, plants and animals, into installations, products and artworks." -Smithsonian Magazine
From the Author
Biodesign is the next step beyond biology-inspired approaches to design and fabrication. Unlike biomimicry, Cradle to Cradle or the popular but frustratingly vague "green design," biodesign refers specifically to the incorporation of living organisms as essential components in design, enhancing the function of the finished work. Biodesign leaps ahead of imitation and mimicry to integration and use, dissolving boundaries and synthesizing new hybrid living objects. The book also highlights experiments replacing industrial or mechanical systems with a biological process, an approach becoming more important under the pressure of the climate crisis. The final section of the book ventures beyond functional or speculative design into the realm of fine art, presenting a range of works that incorporate living matter and foretell changes in how we might define life, identity and nature in the near future.
From the Inside Flap
"William Myers has collected an impressive variety and number of case studies that involve organisms at all scales, from plants and animals to bacteria and cells, to be used as architectural, graphic, or interior elements...If our relationship with nature is broken, this book makes us hope that perhaps we will be able to fix it from within." -Paola Antonelli, Senior Curator of Architecture and Design, MoMA
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